Radric Davis, his first gold-certified album. His third studio album Back to the Trap House was released in 2007.įollowing a string of critically and commercially successful mixtape releases in 2009, Gucci Mane released his fourth studio album, The State vs. In 2005, Gucci Mane debuted with Trap House, followed by his second album, Hard to Kill in 2006. and Young Jeezy, particularly in the 2000s and 2010s. He helped pioneer the hip hop subgenre of trap music alongside fellow Atlanta-based rappers T.I. The result isn't a revelation exactly, but it's the most recognizably Gucci-ish Gucci release in some time.Radric Delantic Davis (born February 12, 1980), known professionally as Gucci Mane, is an American rapper and record executive. Drumma Boy also swings by, and Zaytoven contributes some of his gangsta tinker-toy productions. The instrumental could serve as a neatly boiled-down synopsis of Gucci's style: simple, deceptively absorbing, maddeningly addictive, frantically paced. In a development that really shouldn't have taken this long, he flips the Tetris theme into trap music for Gucci to rap on for "Get It Back". His sound is like a Flubberized blending of Zaytoven's 8-bit pings and Drumma Boy's funeral marches: it's menacing and playful all at once, which means its a perfect match for Gucci's style. The other reason Trap Back is great is the increasingly prominent Atlanta producer Mike Will Made It, who continues to demonstrate that he has an ear for the smallest details that make a simple rap song a great rap song. On "Thank You", he unleashes this thick, transcription-worthy run: "Count a hundred in Syria/ Peanut-butter interior/ My jewelry game on Frigidaire, my watch game cold as Siberia/ Gucci Mane, is you serious? Hell yeah, I'm serious/ Red watch with a red chain, my diamonds on they period."
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The phrasing in his best raps feels sticky, like a filthy movie theater floor under sneakers: "I drop the top like 'fuck it'/ I'm not in no lil' Cutlass/ I pull up in the 'What the?'/ Fuck, I don't know was it" he teases on "Plain Jane". But the way he uses it to take apart words and put them back together with strange new emphases- "Ghett-O, a-LASK-a, ghett-O, neBRASKa" "I'm in the trap house, with SHOES on"- is a brain-teasing pleasure. His voice is a difficult instrument to describe: Pitched somewhere between whine and blare, he sometimes sounds like a huge, overgrown baby who's bumped his head on a table corner. Gucci's best verses are also insanely memorable it's very hard to walk away from his music without at least two or three phrases doing the dryer-cycle tumble through your mind. In the dope-sales reminiscence of "Back in 95", details like "Smokers didn't know my name, so they used to call me Black" and "Dope-fiend Willie used to finger-fuck my rims" leap out and instantly signify a great rapper firing on all cylinders. His mush-mouth buries the details of his writing so deep that you'd have to spend ages picking them out, but on a good Gucci verse, you can feel them flying by on first pass, content in the knowledge that you will be able to revisit and explore them later. But like all his best music, it is colorful and interesting and flagrantly dumb and sneakily clever, all at once. Or Gucci Sosa or even the 10-track Gucciamerica throwaway or The Gooch Man or any number of his past classics. It isn't as great as The Movie 3-D or the first Writing on the Wall mixtape.
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Trap Back, his latest release with noted mixtape curator and professional loud person DJ Holiday, is just that: great. But nothing has been able to quite stop him and, every once in a while, he still surprises us with something great. Radric Davis, his best shot, roughly equalled that of the Game's last studio album. Gucci never conquered the rap world- sales figures for The State vs. I may be alone on the internet in admitting it, but I enjoyed BAYTL, his inexplicable, internet-baiting team-up with Kreayshawn associate and deeply lamentable human being V-Nasty, simply because it provided several solid-to-great Gucci verses alongside production by frequent collaborator Zaytoven, whose best beats sound like they're built entirely from Dippin' Dots. To have fallen in love with Gucci's drunken-carnival rendering of gangsta rap, then, is to have learned to take what you can get from him, when and where you can get it.
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